2026, Day Book, Ohio River Valley Literature, Poet's Life, poetry, prose, the no-scape, winter

Daybook 2026 /Winter 2.9.26

The river is frozen but no one really thinks it will thaw, except maybe the old captains no one listens to, anyway, and the engineers, who no one sees until something breaks. This is not the new ice age, but the same old one on repeat. In the age of streaming no one remembers shows getting syndicated. After 100 shows you’d find your favorite prime time show playing between after school cartoons and the 6 O’clock news in situ in perpetuity, until one day, perpetuity runs out.

The current in situ perpetuity will run out, too.

I participated in a lovely reading celebrating the life and memory of Beat ingenue, Neal Cassady. He’s the latest to get rehabbed and retconned, having finally been acknowledged for the influence he had over the work of Kerouac, who’s probably been watered down and worked over enough. Of course they light candles to Neal now that he’s dead, long dead and beyond being able to spend the royalties on a pack of smokes,a pull of whiskey, a crisp, cold beer, or a damn hamburger with all the fixin’s. But it’s important in this time of having to again define what it means to be from the United States, what it means to want to make art, what it means when you want your life to be art, to be a poem, in these the falling days of the Post-American Century. It’s important to remember that somewhere in the heart of all this mass-medificated misinformation we bleed for more than just dollars and dream of more than to be the latest anti-social media influencer. 

I am trying to remember what it means to be part of a community again; it used to feel something like second nature, but I have stripped myself down to component parts and am rebuilding again. It’s good to remember our literary and otherwise roots, good to know where we’ve come from because that helps tell us where we’re going.  I can never get over feeling awkward, wandering into readings like gunslinger, all alone with a holster of poems and a stomach full of rage that I keep hearing needs to be love

being told so by people who do not understand they are the exact same thing.

a motor
is an easy bit
of tech
transforms
the in
visible
into
work
motion
a spinning pinion
a fan a flywheel
a few words
a poem
like ol; Doc
(William Carlos)
Williams said



I meant to read some poems from my forthcoming collection, The Call Sign is Jonah, but instead dug out an 11-year-old poem, “A Few Lines for Ernesto Cardenal,” one of my favorite Latin American Poets: poet, priest, Sandinista, who prayed for the troops before they went off to fight the CIA backed death squads supporting Somoza. He would eventually break from them when Ortega took over the party and turned into the same kind of bloody dictator that Somoza was. He was, like Whitman, a pure American Poet: American in the sense that the entire western Hemisphere is America, and not just the United States. So I read from an old poem, written nine years before his death. Had I known he was in Cincinnati in 2011, I might have tried to go and see him, but I was drunk somewhere in a northern tundra, waiting for a marriage to die and spitting words at the fascists sitting on the country board.

Here at home, the Mayor McPhoto Op is continuing his clean city campaign by attacking unregistered donation boxes. When he goes after the little libraries, will the conservative party finally embrace him for what he is?

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2026, Day Book, Ohio River Valley Literature, Poet's Life, poetry, prose, the no-scape, winter

Daybook 2026 // Winter 2.3.26

“Footprints” Doodle by Mick Parsons

She looks out the window and spits out the word ‘melt,’ the worst curse she can think of against a layer of ice and snow that will not relent. In milder winters, it was that the mosquitoes didn’t die and the backyard mud carried in by the dogs. We have dug out of this mild inconvenience as best we can. I put my faith in her curses more than the snow plow that never touches our street. There are tales of an old International Harvester with a snow plow and an engine that does not die, but code enforcement actively silences these rumors. But waiting for spring is still considered a carnal act of rebellion.

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2026, Day Book, Ohio River Valley Literature, poetry, prose, the no-scape, winter, Working Class Literature

Daybook 2026 // Winter 2.2.26

“I’m betting he’s gonna swerve first.” – Phil Connors, Groundhog’s Day (1993)

Listening to my brother talk about major and minor keys in music, Seattle grunge, and the Beach Boys Death Cult (my term). What made the Beach Boys songs work wasn’t so much the song writing but the compositions around their voices. The actual songs, most of them, were dark, sad songs. What we’re living now is the decline of a Post-War Death Cult fueled by Beach Boys-style nostalgia. I was always fond of “Sloop John B,” a cute little ditty about a terrible boat ride. Then there’s the existential angst of “God Only Knows,” which, in a different key and composition, could sound like a Nirvana cover band. “I may not always love you / but as long as there are stars above you / you never need to doubt it” is a proclamation of love wrapped in the belief that there’s nothing after we die and if the speaker were to die in some war or a drag race or something, the beloved would then have to find some other starry-eyed lover who could write a different song in the same key about the temporary nature of love in the nuclear age.

Today, of course, is Groundhog Day, when the small cult that protects the inheritor rodent of Punxsutawney Phil gets all gussied up and prognosticates the entrance of Spring; I think of the movie, with Bill Murray and Andi McDowell and someone asks Phil Connor, Murray’s character about whether it will be six more weeks of winter and he says something about March 20… which is generally the Spring Equinox. People act like The Big Lebowski (1998) is a super zen movie, but if I had to think of a movie that might be an extended koan, it would be Groundhog’s Day.


When you wake up to the same day, day after day, written by the same death cult that gave us “Barbara Ann,” the only possible reaction is to eat as many pancakes as you can, kidnap a sacred rat, and drive headlong into the long light at the end of a tunnel. Embracing the fun may be the most zen moment you will ever have, over and over again.

re
peat
rep
eat
sew
so
show
shovel
snow
go
sail
ing
go
leave
go
re
peat


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