2026, Day Book, Ohio River Valley Literature, poetry, winter

Daybook 2026 // Winter 1.22.26

Early morning, but maybe not too early. Once again, the dog knows where I belong.

Give me my pencil and a space of unused paper, a reheated cup of yesterday evening’s coffee, some music, a simple radio: listening to Muddy Waters on cassette. The sound of callouses strong enough to break glass and make those wound strings bleed a little. This is the lesson. We must practice, so we can make our tools bleed.

Bleed, ye! This is the Thursday Blues.

Try to push out of frame, for a while, the battles collecting themselves at my door, crowded next to the same old Truth. All I want is to write and be left to it, and maybe have a few small comforts. Love. Warmth. Decent coffee. I need to feel like I’ve earned my morning apple. I’d like this to include finding a way to pay bills that doesn’t suck my soul out through my nose. 

If possible, I would prefer the world not be perpetually burning. But that is an institutional obstacle.

Go back to bed, love. 
It just the house, burning.
Do not fret, love.
Do not fret.
It will only hurt
this very little
very tiny bit.

The cassette plays stretchy and tired, especially on the bridge and guitar solo. There is a particular sound to fingers that find electric pickups amusingly quaint and unnecessary to the singing of the strings. A sound sung by calloused fingers that learned to make heavy brass wound strings cry and sing the blood songs of centuries. The cassette, it still plays, all tired and stretchy, until at some point, it will need a pencil to put it right.

In the winter of America
I am tired of the feedback loop
echoes of dead algorithms
programmed to sound like machines
running lights that themselves lie
and claim to be
long burnt out stars
still shining


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2026, Day Book, Ohio River Valley Literature, Poet's Life, poetry, winter

Daybook 2026 // Winter 1.20.26

0530

The old merled dog wakes us at 0330. The plot against sleep continues through the winter. The winter is full of plots, real and imagined and at this early hour I can’t tell if it’s the one against my wife sleeping, the one against me sleeping, or the one in which the dogs crawl under the porch to take a shit. I may have to take up midnight fishing just to sleep properly again. The plots exchange themselves out of convenience, because now I’m certain the dog’s plot all along was to get me down to the basement. She knows I will give up and come down here, coffee and apple and tobacco and words. 

In my head, the plot unfolds in which I question why I bother getting out of bed, why the tired machine persists. The usefulness of a man is defined by the amount of money for which he exchanges his time between birth and death. These mornings of coffee and apple and tobacco and words I try to keep in mind that practice and faith in the mystical mechanics of the universe are enough. Ply the old ways. Fill the head with notions, jigger, then empty. Every line and phrase is a word cocktail, the output of a machine made for that purpose. The old merled dog knows nothing of this. Only that something drives her, too.

no one will know I ever arrived
until I’m gone
kicked along by some other current
a pebble
gradually worn down
into bone dust

merled
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2026, Day Book, Ohio River Valley Literature, poetry, prose, the no-scape, winter

Daybook 2026 // Winter 1.15.26

doodle by Mick Parsons

January is a tease and I am tired of the feedback loop. Last week it felt like spring. This morning, the temperature kills indiscriminate, the jackboots of the season. The Belle of Louisville is being pushed home down a cold river, returning to dream and remember in spite of everyone’s desire to wake and make her forget.  There is no cold quite like the one that creeps up through the soles of the boots and wool socks from cold metal deck plating. It grows up into the bones, a mycelial network that builds cold tendrils up into the medulla oblongata. The dream and memory infection lasts as long as the floating world and the water lasts. These legs are too accustomed to dry land and the cement is reaching up, too. In dreams just on this side of my eyelids I am rooted in place, arms stretched out and over, a preacher a prayer a poem, feet bound to the shore of my final baptism, denied.

But someday, the mycelium-like ties will cast me forth,  set me free. 

tie
d tie
d tie
d these
arms
stretch
stretch
stretch
ed &
tie
what
sacri
fice
what
is
burn
ed
what
is
tie
d
will
find
current
again
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