2026, Day Book, Ohio River Valley Literature, poetry, Story, the no-scape

Three Caballeros in The Pizza Pub

Been a busy last few days. Monday was a good day of getting ready to leave for the Portsmouth reading on Tuesday. Tuesday was a wonderful day. Good trip along side the river way and through the part of the country I used to call my back yard. It reminded me of the Ohio Valley gothic and that I have been carrying it in my head and in my bones and blood most of my life. Driving east from Cincinnati, we rolled out Ohio Route 32, which carries you from Cincinnati to Belpre, across the Ohio from Parkersburg, West Virginia. It’s sometimes called The Appalachian Highway, which, if you know anything about the Appalachian Mountains, means you’re driving headlong into the foothills of the Appalachia the further east you go and until you cross the river into By Gawd West Virginia. It’s 110 Miles from Cincy to Portsmouth, and we made pretty good time.

The reading was amazing and reinforced in me that I am on the road I need to be on. Art flourishes where it is sowed, and encouraged.  Traveling with my fellow caballeros,  Frogg Corpse and Tommy Bays, I remembered how much I like being out on the road with people I can trust. Our reception was welcome and I hope to return in the future. It was in a place called THE LANDING, which is a cool coffee shop, vintage clothing, old vinyl records, and skateboard shop. It’s the sort of place that small towns grow best because it’s a true labor of love and also a necessity for survival.

We were invited to hang out after, but none of us had eaten, so we found a pizza place that was still open, but barely just.

I’m a sucker for classic bar decor. I think about Freddie’s on Broadway in Louisville, the best hole-in-the-wall dive this town ever grew. It never tried to be something it wasn’t. Freddie was in his 90’s, half blind, and mostly deaf. His approach to race relations were unapologetically unaffected by the fact that his girlfriends were women of color, mostly in their late 20s. The bartenders only took cash, though someone had thought to put in an ATM back in a corner where a pinball machine had been once, and probably a knock off version of Asteroids after that. The walls were covered in the old style boxing posters, the kind that were drawn, that all look a little like the carny posters from a television filming set, back when TV was three stations and PBS, when the antenna was correctly bent.

The Pizza Pub in Portsmouth, Ohio is one of those places, in same spectrum as The Landing, that exists out of need and grew a character based on everyone’s grandpa’s unofficial garage bar. The walls were covered bar with mirrors and hangings advertising every beer and liquor that’s been or was since I was in my 20’s… that touch of old school nostalgia with the flair of someone who grew up in the 80’s and remembers when there were two refrigerators in the garage on in the mud room: one with enough food to survive a new ice age another with almost as much beer. But the pizza was really good. They built that place around a brick oven, and gawd bless ‘em for it. It makes all the difference in the world, and don’t ever let any cheap corporate fuck tell you different.

After that, we made our way to a wonderful fire pit and hung out with some of coolest folks you’ll ever meet along the river. The world is remaking itself in small towns along the world’s great wound, the Ohio River. And don’t let anybody try and tell you different on that, either.

To quote wiser people than me: “Never let the bastards win.”

That Ohio Valley Gothic got its hold
before that winter in February
when I made my entrance
two days late and chased from the start
by weak lungs and bad feet
and a heart that bleeds
entirely too easily.

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Mick Parsons
Mick Parsons

Poet. Essayist. Fictioner. Steamboat fireman. Bit of a grackle.

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2026, Day Book, essay, everyday words, Ohio River Valley Literature, the no-scape

Does Anyone Remember the Creepy Lawn Jockey from Season 2 of the X Files?

I go back and watch shows with an obsession. I don’t know why. Lately I’ve been going back and watching Mulder and Scully. Sometimes I miss the skepticism and paranoia of my childhood. An odd turn of nostalgia at that, being a child raised in a world in which the infrastructure was crumbling and being repaired with Hubba Bubba and Brillo Cream caked prayers.

But you miss little things the first time through, watching for the plot. Like Lawn jockeys; just an odd transition shot that had nothing to do with the plot. The lawn jockey was about establishing tone, true; the Caucasian face paint was starting to chip off and was meant to make us think about zombies. But you could argue that it was almost a non-essential shot. A little extra little taste from the director. A little wink and a nod, darkly funny. Lawn jockeys could make any trailer a royal compound, right? Like adding Greek columns to an old row house and turning it into a bed and breakfast.

It reminds me of the first time I drove back by the house I grew up in and saw that the new owner buried wagon wheels at the end of the driveway/ Like they rolled up from after some long journey, wrapped in gingham and a dream, and dug the foundation themselves, when all they did was buy a 40 year old ranch style house and paint over all the memories in western kitsch. The unknowns and barely knowns have been painted over with a new, thick paint of certainty. The color is a colorless gray, and reflects nothing.

Underneath, all the old memories rest on the drywall and frame, preserved like fossils against elements and the passage of time.

[Day book 2026 / Spring 3.21.26

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Mick Parsons
Mick Parsons

Poet. Essayist. Fictioner. Steamboat fireman. Bit of a grackle.

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2026, Day Book, Ohio River Valley Literature, poetry, prose, the no-scape

How Silly Stories Get Started

Once I drank shot for shot with the devil in a biker bar at the corner of US 68 and the edge of the universe. This was our second meeting. He’d stopped in for a piss break and a beer on his way to meet someone else. That guy will wait, he said when he saw me. They always wait for me. He laughed and made some joke about how he was never the one who insisted on meeting at midnight, and how silly the stories got over time. But it gave him a little flair, a little mystery, he said on his 5th shot of Crown Royal Maple. Gotta leave it to those Canucks. I haven’t tasted shit that good since my nephew did that water to wine trick. Now THERE was talent. The devil shook his head and almost snarled. Then he spat on the floor and it burned through like hot acid. Ungrateful punk

He smiled again. He had a large toothy smile and dead eyes. He asked me what I wanted. Another shot I said. He laughed. That one’s easy. I don’t stop through here on the regular anymore.  He looked around the nearly empty bar. This place used to be lit. More scraps of furniture than furniture, blood and broken glass every night. He winked. And the women! It was almost too easy.

Almost. He looked at me. So. What do you want?

I didn’t have a ready answer. I said something about wanting an interesting life. He laughed. You’re gonna get that anyway, Kid. When I didn’t have an answer he drank his last shot, left cash for my entire tab and a generous tip on the bar. When you think of something, as he stood up, looking much taller than when he came in, say my name. I’ll find you.  He laughed. And I won’t make you meet me at midnight in the middle of nowhere, either.  He told me he sometimes stopped by to see his third cousin, who lived in a trailer in Aberdeen. He said I might run into him there, too.

[Day book 2026 // Winter 3.18.26]

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Mick Parsons
Mick Parsons

Poet. Essayist. Fictioner. Steamboat fireman. Bit of a grackle.

1,691 posts
0 followers

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