2023, essay, Ohio River Valley Literature, prose, river life, the no-scape, Working Class Literature

Stand By

When I can’t sleep one of the dogs usually stays with me. Tonight it’s Nala, the husky mix. They’ve been keeping watch over me during the days while I’m recovering from hip surgery and Amanda’s at work. They’re good company, and I fully expect some temper tantrum from them… Nala in particular… when I go back to work.

I probably drank too much coffee today. I drink a lot of coffee in general, but I’ve been pretty good at dialing it back while convalescing. The idea has been to stay on the same wake / sleep schedule as Amanda. Been doing pretty good too, until today.

It could be the coffee or it could be that I feel like I’ve been away from the river too long, my recovery is going really well, and I’ve wound myself up about getting back to my life. Grateful as I am that the surgery has been successful and the recovery is going as well as it can, and as blessed as I feel that Amanda has been so amazing through this whole ordeal, most days my brain is just rattling around in my head.

My curse is a particular itch. In the past it sent me out on the road. Working on the river, on the Belle of Louisville, somehow scratches that itch. And as I round out the 4th post-surgical week, and I can see the light at the end of the tunnel, I’m anxious to get back to my life. It reminds me of working the firebox on the Belle, keeping the boiler pressure at 180, waiting for the telegraph to tell me it’s time to launch.

And it’s not just about getting back to the boat. I’m anxious to spend time with my wife that isn’t a perpetual post-op. I’d like to visit my daughter and her family, get back to the perpetual hide-and-seek game with my granddaughter. I’d like to visit my mother ln Cincinnati and my brother in Cleveland. I want to start walking everywhere again and do so without the hip pain my surgery fixed.

But for now it’s me, Nala, and some cheesy TV. I’m sitting in my chair, feet up on a pillow on top of a small footstool. I’m down to one or two painkillers a day, and I’m finished with the post-op blood thinners. Life is good. The boiler’s up, the wheel is spinning, and I’m just waiting for the call to come down the telegraph to launch.

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2023, essay, Ohio River Valley Literature, Poet's Life, the no-scape, Working Class Literature

Can’t Hoola Hoop, Terrible at Reunions: on self-erasure

Drawing by Zenga

…the true task of enlightenment is not to disappear into it. The true task is to return to the world, bringing back what you know. It’s the same for poets.

I’m terrible at reunions; it’s not that I don’t love my friends. I do. But I find sometimes that seeing old friends means running into a former me. Most recently, during the celebration for the life of my friend Dave Jones, I found myself meeting one of those old selves… the drunken rake, the arrogant grad student who would get drunk and declare, “All men are dogs.”

I know I did other things. Better things. Editorial Manager of the student literary journal. A leader of sorts at the open mic. Tutor in the writing center. Graduate Assistant teaching ENG 101.  I also wrote a lot, edited a manuscript of poems and stories, and managed to graduate more or less on time. To quote from The Man from La Mancha, “I hope to add some measure of grace to the world.” But looking back, I end up being my own eraser. Whatever good I might do is overshadowed by what infamy I manage.

Weren’t we going to change the world?

I don’t know that it’s any different for anyone else. I suspect most people are the erasers of their own attempts at goodness. Maybe it’s just one of those built in mechanisms to keep us humble.

But I really like this drawing of me. The 5 Minutes of Fame Open Mic at Brick Street Coffee in Mount Carroll, Illinois is one of those things I was really proud of; and even though I did manage to work against myself and my own good intentions at times, and even though the open mic didn’t survive more than a few years after I left, I still believe it had a good influence that reverberates to this day.

Once upon a time, I had large notions of what it means to “add a measure of grace to the world.”  I recently corresponded with a friend I worked with in Cincinnati almost 20 years back. We both published books of poetry and had a sort of rock star insistence. We were convinced we would change the world, or so he reminded me. Weren’t we going to change the world?

For 20 years, I lashed around looking for ways to change the world. I kept writing. I made myself a freelance Gonzo-inspired journalist. I deep-dove into radical politics. I spent 15 years teaching college Freshman how to express themselves… or at least, that’s what I wanted to do.

Erased. All of it. Except the writing, maybe. But everything else? Erased.

“I hope to add some measure of grace to the world.”

This obsession with erasure started in grad school with one of my professors, Layne Neeper. It was in a post-modern lit class. We were reading Kathy Acker, I think. Neeper talked about erasure as a concept. Erasure of history. Erasure of culture. Erasure of memory. It struck me then how much of my own life, even up to the increasingly young-sounding age of 30, was erased. How many jobs had I worked up to that point? More than I can still remember. I’d had an entire married life that, except for my daughter, was erased off the face of the earth. Even the places I lived with my daughter’s mother had been bulldozed to the ground, erased. How many more lives would I live?

My notions of adding grace to the world have simplified over time. Some might say they’ve gotten smaller. But anyone who works on the river will tell you that the breadth of the river is not the same as its depth.

I’ve sharpened and honed my gaze. But I dive deep and stay there more than anyone probably realizes.

I’m settling in down here on the river. I’m still writing. It may never make me rich. I spent 30 years and 2 marriages trying to make a living as a semi-starving artist. What I’ve learned is that there is a sort of poet-sickness, akin to zensickness. Some people find something that feels like poetic rapture and are so drawn to it they stay there. But the true task of enlightenment is not to disappear into it. The true task is to return to the world, bringing back what you know. It’s the same for poets.

I sometimes feel badly that I am probably not a good and constant friend. I do try to be, and I hope they forgive me when I fail.  I hope what I’ve learned is of some use. I hope that I can live long enough to erase the ill I’ve done in the world. I hope I can add some measure of grace.

In the end, all anyone can do is move forward and hope. It’s the closest I get to understanding faith.

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2023, essay, Ohio River Valley Literature, poetry, the no-scape, travel, Working Class Literature

from Minneapolis and Back, Part 2

back under the big sky
the dirt unfurls west, a tired old flag
that calloused hands are still
unable to surrender

To read the rest, click here and read my substack, The No Scape.

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