2026, Day Book, Ohio River Valley Literature, spring, the no-scape

Its Own, Overpacked and Underexplored Continent

4.7.26

What then what?

Some mornings
all there is
is rage and them
that lit the fire
claim
they will not
own it
instead
they cry
calling themselves
burn victims.

4.8.26

I dreamt of my grandparent’s house on Bantam last night. My daughter and my wife were talking about moving in and who would take the master bedroom. In a dream state, the house is always smaller than I remember and I always take note of it, and I think about the large attic that was its own, overpacked and underexplored continent. I think to remind them about the central vacuum system and how the guest bedroom was an uncomfortable flotsam of furniture one of them will want to redecorate. The old horse barn, the large field, the woods I explored when I was growing up feel like distant lands and the front windows of the house are covered, like they’re boarded up on the outside except for a sliver of light. I wonder if the creek still runs through and if the walnut and apple trees still fruit on schedule. They are talking around me and I realize they are not aware I think I’m dreaming.

[Daybook 2026 // Spring 4.7-4.8-26]

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Mick Parsons
Mick Parsons

Poet. Essayist. Fictioner. Steamboat fireman. Bit of a grackle.

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2026, Ohio River Valley Literature, Poet's Life, poetry, prose, the no-scape, winter

Daybook 2026 // Winter 1.23.26

Baby Gabriel Garcia Marquez is Watching You. Photo by Mick Parsons

I got distracted in my own library this morning. I wasn’t even looking for anything in particular; I just had one of those gadfly memory moments, in which I was somewhere between putting on deodorant and trying to remember the trail of a dream.

Being back on a more or less regular sleeping schedule, I’ve fallen back into the casual habit of directed dreaming. Sometimes I visit the same places over and over in my dreams, and when there is a place where it feels unfinished, I try to go back. Actual directed dreaming — actively taking control within a dream — takes a lot of practice. Mostly I just try to get back and wander. The trail of the dream doesn’t matter so much as the attempt. I do it for the same reason I’ve casually started working on simple Sudoku puzzles. That reminds me of my grandmother, my mother’s mother. I remember her sitting at the kitchen table, working the word puzzles in the paper. They are both mind-focusing distractions. 

Sometimes all that remains are galley copies and memories. Sometimes less than that. Photo by Mick Parsons.
dream, 
like Borges
of an endless
library

I moved some books around yesterday. I do this sometimes. And while I was looking again to verify that I was still satisfied with what I’d done, I noticed a few items I hadn’t looked at in a while. I still have two single copies of the first and second issues of a literary journal I spearheaded, Sticky Kitchen. That was back when I tried the small press route, a journey called One-Legged Cow Press. This was more than 20 years ago. Another life. I flipped through, looking at the names. Some of them I still know. A few I haven’t thought about in decades. I remember trying to convince Melissa, my wife then, of the higher cause of the project: the small press, the journal. She was never quite convinced. In the end, she didn’t find me all that convincing. 

the most basic
demonstration
of humanity

Before walking into the kitchen and filling my coffee thermos to come downstairs to the desk (at the merled dog’s insistence), I went back and applied more deodorant. 

Just in case.

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2023, Ohio River Valley Literature, poetry, the no-scape, waterfront, Working Class Literature

a line through, a scratching out

I no longer have a stomach for such sumptuous feasts.

Here, moving forward into the past is the only safe channel.

The nights, the waves rewrite me, a perpetually tinkered with draft.

This may be another form of erasure — memories like chicken bones
cast into the river, so much boiler scaling.

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