2025, America, essay, no scape, nonfiction, Ohio River Valley Literature, Poet's Life, Working Class Literature

The Surveillance Age Comes Knocking

The knock on the screen door was so light Gypsi, our 12-year-old blue heeler that barks at leaves blowing down the sidewalk across the street and was lying on the mat in front of the door, didn’t react. I might not have even heard it, except I was looking for my coffee cup or something. We have three dogs, all of whom react to noises with varying degrees. Nala, the 8-year-old FOMO husky mix, pretty much barks whenever Gypsi barks, except for when she spies one of the neighborhood cats when she’s outside. She mostly stairs out the window the way I remember my grandma watching soap operas in the afternoon on television. Barley, the 12-year-old aussie shepherd mix, only barks at Something. He’s always had the knack of knowing when something ought to be barked at, though I’ve noticed him slipping a bit in the last year. He’s a good old son, though, and I give him the grace earned by a working dog in semi-retirement. 

But when Barley didn’t bark, I took notice. 

Our doorbell doesn’t work and as far as Amanda knows, has never worked. I’ve thought off and on about fixing it… or at least seeing if it’s the button or some wiring issue I don’t feel like digging out. But we have the dogs. And doorbells are generally more intrusive than they are useful. 

Amanda was sitting on the toilet with the bathroom door open, talking to me about something. I think I was about to ask her if she remembered where I set my coffee cup or whatever it was I was looking for. The knock at the door was so light she didn’t hear it, either. 

“There was a knock at the door,” I said, looking through the peephole. A standard issue dude bro, dressed in white down to his air-cushioned kicks with the prerequisite baseball cap turned backward, was standing on my porch. He was intentionally standing within view of the eyehole. A salesman, I thought. I briefly debated ignoring him. I couldn’t be sure he didn’t register my voice through the door or take note of my shadow through the spy lens. These new generation dude bros… what my 5-year-old granddaughter calls brahs might have heightened senses, especially the salesman models. 

“What?” 

“There was a knock on the door,” I repeated. I moved to open the door. In our small house, the bathroom is in eyeline of the front door. I ask my wife if she could please close the bathroom door so I could open the front door, and she obliges. I opened the door to find a blond, chisel-chinned dude brah standing there with a tablet. I almost miss when they carried clipboards, I thought. A soundworm of Ronald Reagan on The Tonight Show echoed in my ear. They show up carrying a clipboard and say ‘Hi I’m with the government and I’m here to help.’ Thundering laughter and applause at the joke we were all supposed to get. The name of a home security company was emblazoned on the dude brah’s fitted polo. There was an accompanying company ID hanging from a careless lanyard around his neck. I opened, stepped through, closed the front door behind me and opened the screen door.

His approach was flawless and his dedication to the script was admirable. He reached out his hand, which I didn’t take, and told me his name, which I don’t remember.  “I’m just out here upgrading our customers out here,” he said, nodding to the street, “and I thought I’d stop by and see if you were interested in protecting your home.” 

Not bad. I wondered if he practiced. He asked me my name, and I didn’t tell him. He went on to tell me that he was offering to set me up with a camera doorbell… “That’s why I PUNKED you,” he added, “because I noticed your doorbell didn’t work.” Genius. I wondered if he registered my eyeroll. He went on to try and sell me a free month of service, during which his company would be watching 24 hours a day. 

“Now I know,” he tried to hide a slight lip twitch, the kind people make when they step near fresh dog shit, “I know this is a safe neighborhood. In fact, your friends and neighbors tell me the biggest issue here is porch poachers.”

 Friends and neighbors, I thought. Does he mean the guy next door who lives with his parents and sells drugs or the meth heads a few houses down that burn plastic in the giant firepit out back?

I tell him I’m not interested and move to go back inside. He says he understands, then asks me my name again. Again, I don’t tell him. Undeterred, he points to the tablet, explaining that because his company will be watching 24 hours a day, if some dreaded porch poacher tries to take an Amazon package off my porch that the I-spy-little eye doorbell camera will say “Hey,” which naturally, will scare off any potential poachers. 

Porch Poachers. Sure, we’ve had some packages taken. Is it inconvenient to reorder? Mildly. It doesn’t happen that often and we don’t order any high ticket items like that. Does it piss me off when it happens? Yes. I thought about telling the dude brah about taking all the smart lights and speakers out of our house. The Faceless Woman, as Amanda took to calling it, would listen at odd times and was starting not to listen at all when it was supposed to. The smart device experiment had been my idea. It was also my idea to rip it all out. I didn’t say that to the dude brah. I also didn’t tell him what I thought of the new police program to use residential cameras for random surveillance. 

Again, with a little more edge in my voice, I tell the dude brah that I’m not interested. Then he smiles — bleach white teeth that have never met a cup of coffee or a cigarette, with vaguely sharp incisors — and asks, trying to hide that slight lip curl, am I really not interested in protecting my home. 

“I have three dogs and a shotgun,” I said, being sure to look him straight in his dead eyes like he’s a paper target. 

“Hell yeah!” he proclaimed.

I nod. “I don’t have problems like that.” 

I must have stumbled on the correct turn of phrase or tone that turned the if/then command in the dude brah’s brainbox. He stuck a hand out again and asked me my name. This time I shook it, still looking him dead in the eyes. 

“Ozymandias,” I told him. He repeated it, curiously and without comment, then walked away.

[cross posted at: https://open.substack.com/pub/eymick/p/the-surveillance-age-comes-knocking?r=fciwk&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true]

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/versation, 2024, aesthetic, essay, nonfiction, Ohio River Valley Literature, poetry, the no-scape

no escape [on the Ohio River Valley Gothic]

2 February 2024 / 0010 hrs

No matter what I’ve told myself over the years, I’ve always been steeped in this kind of Gothic. A childhood in the rust belt around folding farms and closing steel Mills, all just a few degrees separated from day-to-day existence… but close enough that I had a front seat to the sort of geographic necrophilia that happens in the country.

I can never quite meditate it out of my bones.

The Gothic that makes for good television is a more urbane kind a Gothic that lacks that determinism. It’s a Gothic without determinism. It languishes and chokes like the endless summers and New Orleans. Undying, but never quite replenished. Strangled.

This Gothic that infects me, this Ohio River Valley Gothic, is imbued with that determinism. It means you know where you are and hang the fuck on, no matter what. Grit your God damn teeth, spit and keep moving. There’s no escape from pain. What escape exists is only temporary and comes with a hefty price. Better to grit and hang on.

The Southern Gothic languishes in the past. the Midwest Gothic is all hard and deterministic, ike the high desert winters. But the Ohio River Valley Gothic waxes in wanes. It ebbs and flows. It both languishes and is bone and sinew built with determinism. This is what the river brings, deposits like high water mud and driftwoodbone and garbage from up river. It rides in on cross currents.

no escaping the massive corn fields
etched into the imagination.

we take turns playing scarecrow
as the water rises, biding time

in the company of grackles.
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2024, essay, nonfiction, Ohio River Valley Literature, prose, river life, the no-scape, Working Class Literature

Swing Shift Watch: The Time Between

This is the transition hours. She’s.next to me, askeep. I’m dressed for work and drinking coffee, waiting for the first of my two overnight watches for the week. We had a nice supper together.: bow tie pasta with roasted tomato, pesto, and sweet Italian sausage. One of those suppers that was so good, we talked about it an hour after, along with ways to make it even better or change it up a bit. This is what we do.

An old standard from classic BBC TV is playing on the TV: As Time Goes By. I’ve been watching this show for years. I first watched it on PBS when I was a kid. Saturday nights . The Red Green Show, As Time Goes By, Keeping Up Appearances, Have You Been Served?, Waiting on God, Last of the Summer Wine. I introduced Amanda to these shows after we got togther. I never get tired of them. I don’t know why. I’m not what you’d call an Anglophile. But there’s something comforting about them.

She’s sleeping hard. It’s been a long week for her, and it’s only Wednesday. Me getting back to work on the wharf after my hip replacement surgery has been an adjustment for both of us. She likes having me around, and I like being around, though I do get antsy if I stay around the house too long. I don’t light out on the road anymore, so I pour that into work, into the river.

On Swing Shift, we only sleep at the same time 2 nights a week. This makes the time between that much more important.

I’ve got about an hour left before I need to finishing puttering around and leave for work. The weather is warmer, but wet. From the weather reports I’ve read, I expect more thick fog and then rain after 4 in the morning. I pay attention to weather forecasts and river forecasts, even when I’m not working. Work didn’t make me this way, being on the road did. The weather and river patterns give me something to obsess over. It’s a sort of passive obsessiveness, always running in the background.

I’ll leave soon trying not to wake her up, and disturb the dogs as little as possible. She’s deep into one of her complicated dreams. I’m going to head out to mine soon enough.

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