end note, essay, lot dogs, Louisville Stories, nonfiction, Ohio River Valley Literature

lot dogs 1-13 / end note

I cling to words as a matter of faith. It’s a word that gets abused alot: faith. But I’m increasingly unable to find another word to describe the act that is adequately connotated and contextualized. I cling to it the way a carpenter clings to their tools, the way a baby clings to their parents. I cling.

Life is an absurd business. My latest gig, working the gate at Churchill Downs as a lot dog, highlighted some of that absurdity. The Downs is a giant coughing economic engine run, literally, on horse power. That engine, like all engines, burn up resources and do nothing but create endless motion, driven by Men who care nothing about who and what they run over. Back in the September Meet I worked inside once or twice, right up next to the track. On a day when the track was sloppy from rain I watched a horse fall not far from the finishing post. The thorobred fell like a tired concertina. But it still got up, jockeyless, trying to finish the race. The animal was led into a trailer where I later heard it was put down.

If you’ve never seen a horse keep running in spite of a broken leg you don’t understand what nobility of spirit actually means.

They don’t put the horse down on the track anymore. Too many cameras. Too much bad press. No one want to know how the sausage is made. They just want the feast and their fancy fucking hats.

I worked outside the wall. The pay was better and the people were more honest… which is to say, more distilled. Inside the walls, the gentility is fake. There’s an aristocratic “Upstairs, Downstairs” feel to everything. Many people who work inside the wall think they’re better than us lot dogs. They buy into the class structure and act like if they step and fetch properly that they will be invited to sup.

They never are. We aren’t either.

That isn’t to say that there aren’t people who appreciate the work we do. There are some genuine humans there, trying to work and support families. Genuine working people with kind and open hearts. People brought us coffee. And donuts. The previous five sentences are a prayer of thanks for the angels that walk the Earth. And I am always grateful for the reminder that they exist, even in the dark machinations running off the world.

In the past my writing has suffered when I work. And truth be told, I’d rather be writing and reading and wandering around than being on the job. But as a matter of survival, I cling to words. I write from a place that disappears. Each moment evaporates into another and I write. I generally chose a language economy that’s stripped bare because when one has to no choice but to splice life down to the moment, there’s no time for reflecton. Maybe that’s what the pure existentialists have wrong. They look at the long march of time as a giant slide instead of a seemingly endless series of connected moments that grow from the previous and feed the next. And it is in the those vanishing moments, absurd and experiential, that I write. And when I can take a longer moment, I write longer.

Because there are always enough words. And always enough to write about.

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nonfiction, Ohio River Valley Literature, Poet's Life, prose, quotes, Yevgeny Zamyatin

Keep on

It’s never been about gates or gatekeepers. I never imagined I’d be one of those cozy poets ensconced and installed in some ivory tower position, confronted with students obliged to respect my institutional authority. I knew that road was crumbling even before I gave myself over to poetry.

I’ve been called a crank, a cynic, a failed dreamer. I’ve been accused of being bitter and of being a fake.

But this poetry business isn’t for the thin-skinned. I know I have a lot to offer, but I also know that if I wanted position and institutional authority, I should have abandoned poetry decades ago. Maybe I’ll end up teaching a workshop again someday. I hope I do. But I’m not in this for the short term accolades. I have ambitions that most are so scared of they lie to themselves and call them impossible.

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Louisville Stories, nonfiction, Ohio River Valley Literature, Poet's Life, work

This breaking of the body

Like old cars, bodies sometimes need replacement parts.
Photo by Laker on Pexels.com

Amanda’s righteous indignation on my behalf is maybe one of the most beautiful things about her. This breaking down of the body… it’s difficult not to take it personally. I’m not as enlightened as I would like, not as unattached as I’d like, so when I’m told the ache in my hip might mean I need a hip replacement… yeah, I think it’s fair to say I was a little angry. I’m not 50 yet. Have you done a lot of work requiring you to stand on your feet? Yes I told the nurse practitioner. She asked the question like she knew the answer already. –This breaking down of the body – is what Amanda calls it through gritted teeth. She spits it out like a curse word. It’s what I have to endure at the moment for this thing called “bills.”

It’s been this way since I was 18. If there was some heavy work that needed to be done, let the big guy do it. It’s not even that I’m all that big in comparison to other guys. I think I take up a lot of space. Only my prolonged absence erases the evidence. I’m pretty good at erasing my footprints. I erase them like a perpetual stranger. But my presence means the physical space I take up, for some reason, erases my education, my experience, and my ability to articulate above grunts and groans (often in spite of my desire to not to). As a matter of fact, there are and have been no end of people in my life who think I’m an educated idiot because, well, I am educated. So it’s no lack of confidence on my part. I don’t do humble well. The job I have now is the only job I’ve been able to get in this “recovered” economy” and while I’ve embraced the inevitabilty of the pain I’ll be in I have a much more difficult time embracing that physical hammering of my body is leaving a mark that may only get cut out by a surgeon making another mark.

It doesn’t do me any good to dwell on anger. I let myself feel it so I don’t hold onto it. I reserve my true rage for Amanda’s behalf — for if she’ll ever need it. It’s the promise I made her that she never asked me to make, like never asking me to not go out again. And I never asked her, either. I never expect it, but I know it’s there. If there’s another definition of love, I don’t know what it is. I embrace the pain because I know she would if our roles were reversed. Knowing what causes it, knowing the root from which it springs, doesn’t really change anything. I’m going to do all things I can to deal with my hip, and chances are it won’t stop me from going back out on the road though it was part of why I cut my recent trip short. I’m still going to work my shit job that breaks my body because at least, for the moment, that’s what’s in front of me.

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