/versation, lot dogs, poetry

lot dogs 5

This one’s from a couple of years ago, when I worked parking at Churchill Downs. It’s an odd world to be on the edge of; on the edge because when your primary function is to be both seen and unseen. When you’re dealing with a subculture that has its own hierarchy, its deeply rooted sense of self-importance, a complex delusion that it operates with art and dance and beauty, and an ocean of money in its black heart that is the true rhythm it runs to… you either know your place, learn your place, or you don’t stay in the place.

I worked with people, some who were so in love with the “tradition” of horse racing that they were completely blind to the fact that a junkie in an expensive suit is still a junkie. The rest of us kept our heads down.


the clouds tempestuous  the sun teasing 
bob-n-weaving like one more
past prime boxer // autumnal clouds paint
the light divine fractured one o' them
oil paintings it just breaks the heart
to try catch a sorry photo
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2022, Day Book, essay, Ohio River Valley Literature, prose

Day Book 8 March ’22: I believe in monsters

I believe in monsters. I always have. When I was very young, I saw them. At night the walls of my room fell away into the dark and I saw them. Some of them watched me. Some of them talked to me. Some ignored me. I was awash in creatures that both looked and didn’t look like anything I found in the World Book Encyclopedias on my parents’ bookshelves or in the decades of National Geographics at my grandparents’ house. I knew the Yeti and Bigfoot were real before I’d ever heard of them. The same goes for the Nessie. I still believe monsters are real because there isn’t significant compelling evidence they aren’t.

This is the same reason I don’t doubt that life exists on other planets, that divine beings are real along with the multiverse… as Hugh Everett III first described it. It’s important to be open to these things. When the dark opens to you, you can’t unsee the dark. You can’t unsee the eyes.

This time last year I met a monster trying walk from Savanna, Illinois to Moline. It came in the rain… a heavy unrelenting rain that made me question myself. Wet socks. Broken boots. When I turned back I knew the monster had beat me. That time. Beat me. But didn’t kill me.

If I’ve learned anything over the last year since it’s that I don’t need to question myself. Yes, I’ve got a tricky hip and my feet aren’t the greatest. Yes, I trudge slow on the thin skin of the world. But I’ve also been reminded, being a lot dog out in all kinds of weather, looked through, dismissed, and overlooked: I’m not just a person walking through the world.

I’m a monster too.

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end note, essay, lot dogs, Louisville Stories, nonfiction, Ohio River Valley Literature

lot dogs 1-13 / end note

I cling to words as a matter of faith. It’s a word that gets abused alot: faith. But I’m increasingly unable to find another word to describe the act that is adequately connotated and contextualized. I cling to it the way a carpenter clings to their tools, the way a baby clings to their parents. I cling.

Life is an absurd business. My latest gig, working the gate at Churchill Downs as a lot dog, highlighted some of that absurdity. The Downs is a giant coughing economic engine run, literally, on horse power. That engine, like all engines, burn up resources and do nothing but create endless motion, driven by Men who care nothing about who and what they run over. Back in the September Meet I worked inside once or twice, right up next to the track. On a day when the track was sloppy from rain I watched a horse fall not far from the finishing post. The thorobred fell like a tired concertina. But it still got up, jockeyless, trying to finish the race. The animal was led into a trailer where I later heard it was put down.

If you’ve never seen a horse keep running in spite of a broken leg you don’t understand what nobility of spirit actually means.

They don’t put the horse down on the track anymore. Too many cameras. Too much bad press. No one want to know how the sausage is made. They just want the feast and their fancy fucking hats.

I worked outside the wall. The pay was better and the people were more honest… which is to say, more distilled. Inside the walls, the gentility is fake. There’s an aristocratic “Upstairs, Downstairs” feel to everything. Many people who work inside the wall think they’re better than us lot dogs. They buy into the class structure and act like if they step and fetch properly that they will be invited to sup.

They never are. We aren’t either.

That isn’t to say that there aren’t people who appreciate the work we do. There are some genuine humans there, trying to work and support families. Genuine working people with kind and open hearts. People brought us coffee. And donuts. The previous five sentences are a prayer of thanks for the angels that walk the Earth. And I am always grateful for the reminder that they exist, even in the dark machinations running off the world.

In the past my writing has suffered when I work. And truth be told, I’d rather be writing and reading and wandering around than being on the job. But as a matter of survival, I cling to words. I write from a place that disappears. Each moment evaporates into another and I write. I generally chose a language economy that’s stripped bare because when one has to no choice but to splice life down to the moment, there’s no time for reflecton. Maybe that’s what the pure existentialists have wrong. They look at the long march of time as a giant slide instead of a seemingly endless series of connected moments that grow from the previous and feed the next. And it is in the those vanishing moments, absurd and experiential, that I write. And when I can take a longer moment, I write longer.

Because there are always enough words. And always enough to write about.

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